In 1998 my youngest brother, Kelton, was diagnosed with autism, a developmental disability that affects communication and social interaction. Autism currently affects 1/88 people in the United States. Kelton is a talented individual who runs cross-country and track, wrestles, plays the drums, loves history, and collects bobble heads and keychains.

This year Kelton decided to enroll in his first art class where he discovered his skill for drawing. His unorthodox style made me reconsider my artwork and examine the differences and similarities that exist between our perspectives. According to Paul Collins’ Not Even Wrong: Adventures in Autism, artists are four times more likely to have autism in their families. Considering the number of artists in my family, this statistic made me question the similarities that exist between Kelton and me. For this reason, we have decided to draw one of his 6,481 keychains a day for one year. These drawings will be as simple and uninhibited as possible. This project will explore our individual perspectives and examine the similarities that exist between us as artists.

Day 365



Kelt's Dream Poster, inspired by Justin Canha's



From this project I learned that I'm really good at art. I like drawing the most, especially things from my mind. I also want to be in more shows. I like talking to people about my drawings. Many autistic people are good at art. I want to be famous and somehow put art and history together. -Kelt

Day 364





For the rest of the project I'm going to have a few
people in Kelt's life write guest posts. This entry is by our dad.

It’s not hyperbole to say I’ve had a thousand unusual experiences in checkout lines with Kelton over the last dozen or so years. He and I often travel together to stores to purchase things we think we need. There have been the best and worst of times at the checkout line; that’s an understatement. Some were maddening, others humorous, some revealing, others sad, and many surprising, and thirty or forty, downright embarrassing. I’ll never forget the man Kelton told that he stank like fish; he did, too. I can honestly say that I have felt the full gamut of emotions in checkout lines. I could write a novella and it would be called “Checking Out with Kelton,” with the subtitle “Not for the Faint of Heart.” If I really pondered the subject, it would turn into a Stephen-King-size novel, with just some elements of horror. Many experiences I’ve forgotten, only occasionally to have some event trigger the memory. Other experiences I would like to forget. But there are some encounters I often recall with an internal smile. Would I trade in all those experiences for a normal checkout life? No.

We all wait in checkout lines; most of us quietly move forward until it is time to pay; maybe a few remarks to the cashier or the box boy or even to those immediately near; for the most part people keep to themselves. Not Kelton. If the line is long and slow, Kelton doesn’t hesitate to begin the inquisition. “Where did you graduate? What sports were you in? Do you know ‘so-and-so’? Did you know that my dad looks like Nathan Blueberg from Nooksack? Yaah, I collect key chains. I have 6,481. Do you collect anything? We have the worst football team. Did you know” . . .


I used to try to discourage him from talking or questioning strangers. Not any more. It is futile. Now, I go with the flow; try to enjoy the ride. It’s a challenge that requires a special set of skills that I have developed over the years, but mostly it’s falling into a hypnotic state and having a sort of “out-of-body” experience while remembering the details of using a debit card.


When there are multiple checkout lines, ours is often the most colorful. Once in a while, I can’t help sensing there is some “checkout-line envy” in the neighboring lines. I’ve come to appreciate “good” checkout banter, even if it is mostly by one enthusiastic young man. There is the benefit of being in line again with the same purchasers: “Don’t you collect key chains?”


“Yes, how did you know? Do I know you?”


“You told me last time we were here. We were in the same line.”


“Oh. I collect bobble heads, too.”


“Really?”


Then it begins again.


I’ll just tell one story, mostly in its entirety. We were in a crowded Costco. In line of course. There were many lines and they were all long. Why I picked the line I did; I don’t know. I often pick the slowest even when it appears the shortest; it’s an uncanny knack I have. The usual was occurring: “I collect key chains? What school did you graduate from? Do you know” . . . Before we got to the front of the line, just two or three ahead, I saw that the cashier had only one arm. Instead of a full arm on his right, from the elbow down was a black, leather arm with a pinching hook on the end. It was unusual to say the least. I knew what was going to happen, but there was no turning back. We were next.


“What happened to your arm?” were the next words I heard stinging my ears as I tried to use the debit machine faster than I ever had.


“It got blown off from some fireworks. They went off before I knew it.” Everyone was silent in line as the boy and man spoke to each other.


“That’s too bad, but your black arm looks really cool!”


The cashier smiled and his tone was different, softer, and his expression sincere and maybe with some relief. He said, “Thank you.”


“Bye,” Kelton said.


“Bye,” he said.


We hurriedly left. I could only think to say as we approached our car, “you should always be careful with fireworks, Kelt.”


“Of course, dad, I know that.”